clavinova pf p-100 manual

You could use this mode, for example, to play a melody with a piano underscored with the sound of strings. However, you may not always want to give the two voices equal emphasis. When playing a piano voice with strings, for example, you might want the strings to be little more than a murmur in the background, adding a delicate nuance to the piano without overwhelming it. The P-100 will display the new setting for about a second, then exit the function automatically.In this mode. however. the two voices are played independently rather than together. You could use this mode, for example.You can select a Split mode sub voice while the P-100 is in Single or Dual modes, if you wish. If you do so, the P-100. The P-100’s Split mode can handle this requirement quite well. After the bridge, however, there is a flashy piano solo with sweeping runs that take you from one end of the keyboard to the other. The key that you press to select the split point will always be included in the main keyboard area.You can fine-tune the P-100’s keyboard upward or downward within a range of about 100 cents. Each step raises or lowers the tuning by about 0.78 cents. Since the P-100 is an electronic piano, it must determine how fast a key is being pressed — that is, the velocity of a note — in order to know how hard the note was played. To use this function, you may want to first set the transpose amount using the procedure described on the following page.The P-100 will display the new value for about a second, then show the number of the currently selected voice. Use the operation below while the P-100 is in Dual mode to change the setting for the Dual mode sub voice, or in Split mode to change the setting for the Split mode sub voice. This function may not seem very necessary at first glance. After all, transposing one voice up or down a few semitones while leaving the other untransposed would only complicate playing unnecessarily — unless you want to try sightreading a part written for.

• clavinova pf p-100 manual, yamaha clavinova pf p-100 manual, yamaha clavinova pf p-100 price, clavinova pf p-100 manual.

Some of these items are designed to be dealer assembled or in- stalled. The P-100 is a high-performance electronic piano with ten voices and a host of functions that make it an ideal instrument for professional stage and studio applications, as well as for use at home. Its features include the following:. To ensure a long lifetime of reliable service, observe these precautions when installing, moving, or handling the P-100. Location Do not use the P-100 in locations where it will be exposed to direct sunlight, extremes of tempera- ture or humidity, or excessive dust or vibration. It is also used to adjust the P-100’s tuning and select keyboard velocity curve settings. LED display. In Dual and Split modes, the changes you make will affect both voices being played. PHONES jack You can connect a stereo headphone set to the P-100 using this jack. If you wish to purchase additional foot pedals, be sure to use only Yamaha models FC4 or FC5. FOOT CONTROLLER jack This jack allows you to connect a foot controller (Yamaha FC7, available separately) for use as an auxiliary controller. Plug the P-100’s power cord into an AC outlet.The standard mode for playing the P-100 is known as Single mode. In this mode, as its name implies, the P-100 plays only a single voice. For convenience, we will refer to these voices as 32-note voices. The remaining three voices can produce only 16 simultaneous notes. The first voice, PIANO 1, is a stereo voice, created using stereo sampling techniques. The P-100 will remember modulation type and depth settings for each of the ten voices. When you play two voices in Dual or Split modes, the P-100 will apply the main voice modulation settings to both voices.It allows you to adjust the P-100’s output in three frequency ranges, LOW, MIDDLE and HIGH. Slide the slider for each range up to increase the level of output, or down to decrease output in that range. Playing the P-100 in Dual mode is therefore like playing two keyboards at once.

External tone generators may interpret pitch bend messages from the P-100 in a different manner, depending on their own internal settings. The modulation wheel setting does not affect the P-100’s PIANO 1 and PIANO 2 voices, as the vibrato effect is turned off at all times for these voices. If you purchase an optional foot controller (Yamaha FC7), you can assign a function to it as well. In addition to the full range of functions mentioned above, the foot controller can be assigned as an overall volume control.If so, and if MIDI transmission is enabled, it will transmit the program change number in question from the MIDI out terminal. Before it left the Yamaha factory, your P-100 was set so that program change numbers 1 through 10 will select the corresponding voices: program change 1 will select PIANO 1, program change 2 will select PIANO 2, and so on. Also, the P-100 must be set to receive on the channel that was set as the transmit channel when the P-100 dumped the data in question. After all, the P-100 lets you make enough settings that changing the majority of them can be a time-consuming process. The P-100 is thus able to select up to ten of the slave’s voices or multiple-voice selections (such as the TG77’s multis), depending on your program change transmit table. By turning off some of the timbres in the SY99 and the TG77, you could come up with a. You could then transmit the data back to the P-100 at any time, as long as the bulk protect function is turned off. The meanings of the error messages are described below, together with the action you should take in response to each. If the P-100 is in Dual mode.Program change receive table bulk dumps The P-100 will transmit each of these three bulk dumps.It can receive any one of the three bulk dump types independently of the others. NORTH AMERICA CANADA Yamaha Canada Music Ltd. Learn more - opens in a new window or tab This amount is subject to change until you make payment.

The MIDI standard allows instruments such as synthesizers, tone generators, and drum machines — not to mention electronic pianos such as the P-100 — to communicate with each other, and to be controlled by sequencers or computers. Not all MIDI devices have three MIDI terminals; but most, like the P-100, do. A device with all three termi- nals will receive incoming data through its MIDI IN terminal, and output its own data through the MIDI OUT terminal. We mentioned on the previous page that the P-100 consists of a MIDI keyboard connected to a multitimbral tone generator, which is capable of producing two timbres at once. Since the P-100 thus outputs its messages on two MIDI channels in Split mode, you can use the P-100’s keyboard in this mode to control two of an external tone generator’s timbres. If you want your external tone generator to play at a different octave, though. Below is a listing of the settings available in this mode:. In addition to the MIDI transmit and receive channels described on page 25, the P-100 lets you specify a separate channel to receive program change messages. 1. Enter MIDI Utility mode. When you select a channel from 1 through 16, or “all”, as the program change receive channel, the P-100 will receive program change messages on the selected channel only. It is usually turned on so that the P-100 will function normally, producing music in response to the notes you play on the keyboard. When you turn the local control off, the internal tone generator will no longer respond to notes you play. When this function is turned on, as is normally the case, the P-100 will not accept any incoming bulk dump or param- eter change messages. When it is set to bulk (“bul”), the P-100 will accept parameter change messages, but protect against bulk messages. The range you set here applies only to the P-100’s internal voices.

Please observe all cautions indicated on this page and those indicated in the safety instruction section. ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and environmentally friendly. Page 4 IMPORTANT SAFETY AND INSTALLATION INSTRUCTIONS INFORMATION RELATING TO POSSIBLE PERSONAL INJURY, ELECTRIC SHOCK, AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST. WARNING — When using any electrical or electronic product, basic precautions should always be followed. These precautions include, but are not limited to, the following: 1. Page 5 THANK YOU!. for purchasing the Yamaha Clavinova PF Series P-100. The P-100 is a high-performance electronic piano with ten voices and a host of functions that make it an ideal instrument for professional stage and studio applications, as well as for use at home. Its features include the following: l High quality AWM sound The P-100 features a selection of ten voices and a maximum simultaneous note output of 32 polyphonic notes. Page 6 CONTENTS MIDI UTILITY MODE SETTINGS. 31 MIDI Utility mode. 31 PRECAUTIONS. 1 INTRODUCING THE P-100. Upper panel. 2 2 Rear panel. 4 SETTING UP THE P-100. 5 MIDI merge. Page 7 Clavinova PF P-100 Operation Guide Page 8 Clavinova PF P-100 Operation Guide Page 9 PLAYING THE DEMO SONGS PLAYING THE P-100 DUAL MODE SPLIT MODE ADJUSTING THE KEYBOARD MIDI KEYBOARD CONTROL FUNCTIONS MIDI UTILITY MODE SETTINGS SPECIAL OPERATIONS Page 10 PRECAUTIONS The P-100 is a fine musical instrument composed of sensitive mechanisms and delicate digital circuitry. To ensure a long lifetime of reliable service, observe these precautions when installing, moving, or handling the P-100.It is also used to lower Utility mode and transpose function settings one step at a time. Dual mode. In Split mode, only the main voice is affected. Page 13 Rear panel SPEAKER switch This switch lets you turn off the internal speakers mounted on the upper panel.

For additional information, see the Global Shipping Programme terms and conditions - opens in a new window or tab This amount is subject to change until you make payment. If you reside in an EU member state besides UK, import VAT on this purchase is not recoverable. For additional information, see the Global Shipping Programme terms and conditions - opens in a new window or tab Delivery times may vary, especially during peak periods and will depend on when your payment clears - opens in a new window or tab. Learn More - opens in a new window or tab Learn More - opens in a new window or tab Learn More - opens in a new window or tab Learn More - opens in a new window or tab Learn More - opens in a new window or tab The item may have some signs of cosmetic wear, but is fully This item may be a floor model or an item that has been returned to the seller after a period of use. See the seller’s listing for full details and description of any imperfections. Contact the seller - opens in a new window or tab and request a postage method to your location. Please enter a valid postcode. Please enter a number less than or equal to 1. Sellers may be required to accept returns for items that are not as described. Learn more about your rights as a buyer. - opens in a new window or tab You're covered by the eBay Money Back Guarantee if you receive an item that is not as described in the listing. We may receive commission if your application for credit is successful. Terms and conditions apply. Subject to credit approval. We may receive commission if your application for credit is successful. All Rights Reserved. User Agreement, Privacy, Cookies and AdChoice Norton Secured - powered by Verisign. This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Follow all installation instructions. The explanation of these graphics appears on this page.

This is especially useful when playing two similar voices, such as two piano sounds, together in Dual mode. By detuning the voices, you can produce a richer sound that will bring out the characteristics of the dual voices. You can set a detune value from 0 to 7. Page 24 SPLIT MODE Entering Split mode The P-100’s Split mode, like its Dual mode, lets you play two voices at once. In this mode. however. the two voices are played independently rather than together. You could use this mode, for example.As in Dual mode, the two voices you play in Split mode are referred to as the main and sub voices. At the same time, the voice which was last selected as the Split mode sub voice will be assigned to the sub keyboard area. Once you have entered Split mode, however, you can change the main and sub voices independently of one another. Page 26 Changing the split point By adjusting the location of the split point, you can adjust the note ranges of the main and sub keyboard areas to suit the parts you’re playing. Also, the adjustment operation also allows you to specify whether the main voice will play above or below the split point. The main keyboard area is normally above the split point. However, there may be cases when you’ll want to play the main voice below the split point. Page 27 To return the main voice to the area above the split point, the second key you press should be above rather than below the split point. The dot in the display will move back to its normal position before the number. What about the split point key. The key that you press to select the split point will always be included in the main keyboard area. Page 28 ADJUSTING THE KEYBOARD Tuning the P-100 Electronic pianos have one advantage over their acoustic counterparts: they are much easier to tune. You can fine-tune the P-100’s keyboard upward or downward within a range of about 100 cents. Each step raises or lowers the tuning by about 0.78 cents.

The default value is 0, which corresponds to 440 Hz at A3. Page 29 Selecting a velocity curve Although the P-100’s keyboard feels like an acoustic piano keyboard, it works on quite different principles. Since the P-100 is an electronic piano, it must determine how fast a key is being pressed — that is, the velocity of a note — in order to know how hard the note was played. The P-100 can respond to your playing velocity in a number of ways, depending on your selection of a velocity curve. This feature lets you adjust the keyboard response to suit your playing style. Page 30 Using the transpose function The P-100 has a transpose function which makes transposing between keys easy. To use this function, you may want to first set the transpose amount using the procedure described on the following page. Page 31 Setting the transpose amount The P-100’s default main voice transpose setting is 12. The key you hit should be a number of semitones above or below C3 (middle C) equal to the number of semitones you wish to transpose the notes you play. Page 32 Transposing in Dual and Split modes Transposing is a little more complex in Dual and Split modes than it is in Single mode, because the P-100 allows you to transpose the sub voice independently of the main voice. The default sub voice transpose amounts are set to 12 for Dual mode, and 0 for Split mode. Page 33 Why transpose the sub voice. This function may not seem very necessary at first glance. After all, transposing one voice up or down a few semitones while leaving the other untransposed would only complicate playing unnecessarily — unless you want to try sightreading a part written for.However, there are in fact many interesting ways to use this feature. Page 34 MIDI KEYBOARD CONTROL FUNCTIONS What is MIDI. MIDI is an acronym for Musical Instrument Digital Interface.

It does not affect the output from the LINE OUT jacks LINE IN jacks You can use these jacks to input line-level signals from another instrument, such as a drum machine, tone generator, or synthesizer, which you wish to play through the P-100’s built-in speakers. Page 14 SETTING UP THE P-100 To prepare the P-100 for playing, follow the steps below to set it up and connect any peripheral equipment. 1. Plug in the power cord. Plug the P-100’s power cord into an AC outlet. To use the supplied FC4 footswitch as a sustain pedal, insert its plug in the SUSTAIN jack on the rear panel. Page 15 PLAYING THE DEMO SONGS Your P-100 is programmed with two songs that demonstrate the instrument’s capabilities. You might want to try playing these songs to set the volume level and make sure that everything is working properly after you finish setting up the P-100. Page 16 PLAYING THE P-100 Selecting a voice Once you’ve set up the P-100 and adjusted the volume level, you’re ready to start making music. The standard mode for playing the P-100 is known as Single mode. In this mode, as its name implies, the P-100 plays only a single voice. Playing the P-100 in Single mode is thus much like playing a normal acoustic piano. The biggest difference between the P-100 and an acoustic piano is the fact that the P-100 lets you choose between ten different voices. NO. Page 17 Voice polyphony As the table above shows, the P-100 produces 32 notes of polyphonic sound for seven of its voices. For convenience, we will refer to these voices as 32-note voices. The first voice, PIANO 1, is a stereo voice, created using stereo sampling techniques. Page 18 Using the reverb effect Reverb adds warmth to sounds by creating the impression of an acoustic environment. The P-100 lets you select one of three different types of reverb to apply to each voice. The ROOM setting simulates the reverberation characteristics of a normal-sized room.

STAGE reproduces the reverberations you would hear during a live on-stage performance. HALL gives a sense of a room with more space between the walls. Page 19 Using the modulation effects In addition to the reverb effect, the P-100 lets you apply one of three different modulation effects to its voices. CHORUS is a modulated delay effect that adds thickness to a voice, making it sound as though more than one instrument is being played. The SYMPHONIC effect is a heavier chorus. TREMOLO applies a tremolo effect to voices by modulating their output level. Finally, an OFF setting allows you to play without modulation. Page 20 Adjusting the equalization The P-100’s equalizer works much like the three-band graphic equalizers found on many portable stereo sets. It allows you to adjust the P-100’s output in three frequency ranges, LOW, MIDDLE and HIGH. Slide the slider for each range up to increase the level of output, or down to decrease output in that range. The graph below should give you an idea how you can use the equalizer to modify the sound output by the P-100. Page 21 DUAL MODE Selecting voices in Dual mode In Dual mode, the P-100 sounds two of its voices in response to every note you play. Playing the P-100 in Dual mode is therefore like playing two keyboards at once. You could use this mode, for example, to play a melody with a piano underscored with the sound of strings. Page 22 Adjusting the voice balance The P-100’s Dual mode is a useful feature. However, you may not always want to give the two voices equal emphasis. When playing a piano voice with strings, for example, you might want the strings to be little more than a murmur in the background, adding a delicate nuance to the piano without overwhelming it. You can accomplish this by adjusting the voice balance. Page 23 Detuning the voices The voice detune setting allows you to detune two voices slightly with respect to one another when playing them in Dual mode.

This is the name of an international standard which was instituted during the 1980s to provide for the communication of data between electronic musical instruments. The MIDI standard allows instruments such as synthesizers, tone generators, and drum machines — not to mention electronic pianos such as the P-100 — to communicate with each other, and to be controlled by sequencers or computers. Page 35 Terminals Before we jump into a detailed description of the P-100’s MIDI configuration, we should consider the hardware used to communicate MIDI data. MIDI devices transmit messages to each other via cables, which are connected to the devices using speciallyshaped sockets called MIDI terminals. There are three types of MIDI terminals: IN, OUT, and THRU. Not all MIDI devices have three MIDI terminals; but most, like the P-100, do. Page 36 The P-100’s MIDI configuration Now that we have gone over the basic concepts involved, you might be interested to take a look at the way the P-100 uses MIDI to produce music. We mentioned on the previous page that the P-100 consists of a MIDI keyboard connected to a multitimbral tone generator, which is capable of producing two timbres at once. In fact, the P-100’s three playing modes — Single, Dual, and Split — are nothing more than different ways of combining these MIDI hardware elements. Page 37 SPLIT MODE The situation becomes more complex in Split mode. Since the two timbres play independently rather than in unison, two MIDI channels are needed to control them. For this reason, the P-100 divides its keyboard into two areas, known as the main and sub keyboard areas. Channel voice messages from the main keyboard area are sent to the main voice and output on the transmit channel (Tch) as in Single mode. Page 38 Enabling MIDI transmission We described in the previous section how the P-100 normally transmits channel voice messages for the notes you play on the keyboard.

Page 39 Using the MIDI transpose function In addition to the transpose settings for the two voices produced by its internal tone generator, the P-100 lets you assign separate transpose amounts for notes it transmits from the MIDI OUT terminal. Page 40 MIDI UTILITY MODE SETTINGS MIDI Utility mode In addition to its Single, Dual, Split, and Demo Play modes, the P-100 has a MIDI Utility mode which allows you to make a number of settings related to MIDI control functions. Page 41 Transmit and receive channels This is actually a group of three settings. In addition to the MIDI transmit and receive channels described on page 25, the P-100 lets you specify a separate channel to receive program change messages. 1. Enter MIDI Utility mode. Page 42 Each of these channel settings can be set to any one of the 16 MIDI channels, or they can be turned off, in which case dashes will be displayed. The two receive channels can also be set to receive messages from all 16 MIDI channels at once, a condition which is known in MIDI parlance as “omni on”. The omni on setting is represented in the P-100’s display by the word “all”. 4. Exit MIDI Utility mode. Page 43 Local control This setting allows you to disconnect the P-100’s keyboard from its internal tone generator. It is usually turned on so that the P-100 will function normally, producing music in response to the notes you play on the keyboard. When you turn the local control off, the internal tone generator will no longer respond to notes you play. However, the keyboard will still transmit messages via the MIDI OUT terminal, and the tone generator will respond to messages received at the MIDI IN terminal. 1.

Page 44 MIDI merge When the MIDI merge function is turned on, any MIDI data received at the MIDI IN terminal will be echoed through the MIDI OUT terminal together with data transmitted by the P-100, allowing instruments receiving this data to be controlled by both the P-100 and other devices connected to the P-100’s MIDI IN terminal. 1. Enter MIDI Utility mode. The current MIDI merge setting will appear in the display. 2. Set the desired value. Page 45 Bulk protect The bulk protect function protects the P-100’s internal settings against incoming system exclusive messages. When this function is turned on, as is normally the case, the P-100 will not accept any incoming bulk dump or parameter change messages. When it is set to bulk (“bul”), the P-100 will accept parameter change messages, but protect against bulk messages. The range you set here applies only to the P-100’s internal voices. External tone generators may interpret pitch bend messages from the P-100 in a different manner, depending on their own internal settings. 1. Enter MIDI Utility mode. The setting you make here applies only to the P-100’s internal voices, however. You can use this slider to independently control the volume of the main or sub voices, to transmit aftertouch messages to tone generators capable of receiving them, or to send any of 120 different types of control change messages (with the exception of control changes 0 and 32, which are used for bank select messages). The number of the program change message that is sent is displayed for a second after you press the button, before being replaced by the number of the voice you selected. When you turn the function off, the program change number in the display will be replaced by a row of dashes. 4. Exit MIDI Utility mode. Page 51 Program change receive table The P-100 is also capable of changing its current voice selection in response to program change messages it receives from external devices.

Before it left the Yamaha factory, your P-100 was set so that program change numbers 1 through 10 will select the corresponding voices: program change 1 will select PIANO 1, program change 2 will select PIANO 2, and so on. Program change numbers above 10 were set to have no effect. Page 52 4. Exit MIDI Utility mode. If so, the main voice will automatically switch to the voice indicated by the program change receive table. Page 53 SPECIAL OPERATIONS Bulk dumps The preceding chapters have shown you how much performance flexibility the P-100 has to offer. But this flexibility comes with a small drawback: to use it effectively, you have to make a large number of settings. If you’re like most musicians, you’ll find there are certain settings that work best with each song you play. Page 54 Memory initialization After you’ve been using the P-100 for a while, you may find yourself wishing that you could erase all your settings and start again with a fresh slate. After all, the P-100 lets you make enough settings that changing the majority of them can be a time-consuming process. Under such circumstances you should use the memory initialization procedure to return the P-100’s settings to their initial values, or factory settings. The procedure for initializing the P-100’s memory is very simple. Page 55 SYSTEM APPLICATIONS Using the P-100 with a tone generator You can use the P-100’s keyboard and MIDI control functions to control tone generators such as Yamaha’s TG77. To do so, connect the P-100’s MIDI OUT terminal of the P-100 to the MIDI IN terminal of the tone generator as shown below. When two instruments are linked in this manner, the controlling and controlled instruments are referred to as the master and slave devices, respectively. Page 56 Using the P-100 with another MIDI keyboard Yamaha’s SY99 synthesizer incorporates a multitimbral tone generator similar to the TG77. It can therefore be slaved to the P-100 as described above.

However, it also has a MIDI keyboard with a broad range of control features and a powerful l6-track sequencer, making it an excellent master device. Page 57 Using the P-100 with an extended MIDI system Thanks to the great variety of MIDI devices now available, extended MIDI systems come in such a variety of shapes and degrees of complexity that we cannot fully cover all the possibilities here. However, we would like to give you an example of how the P-100’s MIDI merge function might be used in a fairly simple extended system consisting of the P-100, a tone generator, and a synthesizer. Page 58 Using the P-100 with a MIDI data recorder If you perform on stage and want to make the most of the P-100’s versatility, you will probably find a device with MIDI data recorder (MDR) capability to be a necessity. Such a device will let you store your P-100 setups — including voice selections, DSP effect and MIDI settings, controller assignments, and transmit and receive tables — for fast and easy recall, thus saving you the trouble of changing a host of settings between every song. Page 59 ERROR MESSAGES Whenever a problem occurs, the P-100 will display an error message to alert you to the nature of the trouble. The meanings of the error messages are described below, together with the action you should take in response to each. (The error messages themselves will be cleared from the display automatically as soon as you operate one of the controls on the P-100’s upper panel.) Backup battery low The charge of the internal backup battery is running low. If the P-100 is in Dual mode.Program change messages are received on the receive channel (Rch) only as if the program changes receive channel is off. Under this condition, program change messages 000 through 009 will select voices 1 through 10 as the main voice. Die Einzelheiten zu Produkten sind bei Ihrer unten aufgefuhrten Niederlassung und bei Yamaha Vertragshandlern in den jeweiligen Bestimmungslandern erhaltlich.